i'm a musician, and my main impetus for getting into tube tech is in pursuit of radical tools with which to make music, but i'm fascinated with every aspect of how tube (and all) circuits work, and my focus and skillset are mutifaceted.
my main aim is making some killer recording preamps for guitar, bass and vocals that actually use proper high voltage and cheap, under-utilized mini's and submini's, as well as unique and innovative design. i am just as inspired with the insane, self-destructing ring modulators and relaxation oscillators pioneered by Bebe and Louis Barron, and aim to create some 'chaos boxes' for applications in which one wants certain parameters to stay controlled/measured, and the rest to be unchained and unpredictable so to speak
both the preamp and the effects are beyond my current capability - i barely knew how electricity worked 9 months ago
i wouldn't be even close to where i am without Mark's help, the help of others creators/innovators/authors like Uncle Doug and Chris Chang and Merlin Blencowe. but more than anything, my best resource has been other forums such as this one! so I likely owe at least a few of you the biggest thanks
i'm excited to be able to contribute in small ways where I can for now! please feel free to correct and comment on my knowledge, technique, understanding of concepts etc when you see my posts! here are a few of my current projects:
- restoration of Hammond Solovox Model L Series A, 3 octave monotonal tube synth from 1948
- restoration of Oregon Electronics D6 Power Supply unit, likely from mid-50's (if you have info/schematic please DM me)
- design and hand-build of Selmer Zodiac Twin 30 clone w/upgrades, such as combining the two channels... i'm aware this is a trickier first time build but i'm flat out OBSESSED with this amp and i can barely drop $45, let alone $4,500, on anything